Miller, Elyse Nelson, Maia Nuku, Stephen C. La Rocca, Alisa LaGamma, Constance McPhee, Asher E. Huber, Shanay Jhaveri, Ronda Kasl, Wolfram Koeppe, Elizabeth Mankin Kornhauser, Brinda Kumar, Donald J. Garfinkel, Medill Higgins Harvey, Ruth Bigelow, Alison Hokanson, Mellissa J. Eklund, Alyce Perry Englund, Jennifer Farrell, Mia Fineman, Amanda B. Carpenter, Henry Colburn, Stephanie D’Alessandro, Clare Davies, Jayson Kerr Dobney, Ashley Dunn, Maryam Ekhtiar, Douglas S. See moreĬontributions by Ian Alteveer, Kelly Baum, Kim Benzel, Deniz Beyazit, Monika Bincsik, Yaëlle Biro, John Byck, Iria Candela, John T. New York: The Metropolitan Museum of Art, 2016. Recent Acquisitions: A Selection, 2014–2016: The Metropolitan Museum of Art Bulletin, v.74, no. Bradley Strauchen-Scherer, Pierre Terjanian, Thayer Tolles, Sheena Wagstaff, Stephan S. Rosenheim, Martina Rugiadi, Beth Saunders, Joseph Scheier-Dolberg, Femke Speelberg, Perrin Stein, E. Pinson, Jessica Regan, Sabine Rewald, Jeff L. Orenstein, Diana Craig Patch, Amelia Peck, Carlos A. La Rocca, Christian Larsen, Soyoung Lee, Denise Patry Leidy, Christopher S. Kisluk-Grosheide, Wolfram Koeppe, Elizabeth Mankin Kornhauser, Alisa LaGamma, Donald J. Husband, Kyriaki Karoglou, Ronda Kasl, Daniëlle O. Graff, Randall Griffey, John Guy, Navina Najat Haidar, Seán Hemingway, Marsha Hill, Alison R. Evans, Jennifer Farrell, Mia Fineman, Alice Cooney Frelinghuysen, Amanda Garfinkel, Sarah B. Carpenter, Elizabeth Cleland, Jayson Kerr Dobney, James A. Bell, Deniz Beyazit, Monika Bincsik, Yaëlle Biro, Barbara D. See moreĪinsworth, Maryan W., Denise Allen, Stijn Alsteens, Ian Alteveer, Joan Aruz, Peter Barnet, Andrea J. New York: The Metropolitan Museum of Art, 2022. Recent Acquisitions: A Selection, 2020–2022, v.80, no. Rosenheim, Joseph Scheier-Dolberg, Aude Semat, Femke Speelberg, Perrin Stein, Isabel Stünkel, Zhixin Jason Sun, Pierre Terjanian, Abraham Thomas, Thayer Tolles, Stephan Wolohojian. Pinson, David Pullins, Jessica Regan, Aaron Rio, Imani Roach, Jeff L. Orenstein, Diana Craig Patch, Amelia Peck, Jenny Peruski, Joanne Pillsbury, Stephen C. Miller, Iris Moon, Laura Filloy Nadal, Patricia M. Hyun, Shanay Jhaveri, Ronda Kasl, Wolfram Koeppe, Elizabeth Mankin Kornhauser, Alisa LaGamma, Sarah Lepinski, Pengliang Lu, Virginia McBride, Constance McPhee, Asher E. Herdrich, Alison Hokanson, Melanie Holcomb, Mellissa J. Garfinkel, John Guy, Navina Haidar, Medill Higgins Harvey, Stephanie L. Evans, Jennifer Farrell, Mia Fineman, Alice Cooney Frelinghuysen, Amanda B. Carpenter, Stephanie D’Alessandro, Clare Davies, Jayson Kerr Dobney, Ashley Dunn, Adam Eaker, Maryam Ekhtiar, Helen C. Bambach, Kelly Baum, Alexis Belis, Monika Bincsik, John Byck, Iria Candela, John T. Achi, Denise Allen, Niv Allon, Ian Alteveer, Carmen C. A book for any reader drawn to the chivalric and courtly life of Europe, How to Read European Armor highlights the many innovations of armorers who created these legendary marvels of art and technology.Ĭontributions by Andrea M. The engaging text extensively examines armor's complex parts and many decorative techniques, and sets the lively historical context for how European armor thrived in the field of combat, in tournaments, and on ceremonial occasions. This volume features historically important examples of armor such as a suit made in the royal workshops of Greenwich, England, almost certainly for King Henry VIII himself a masterfully etched work created by a famed Nuremberg armorer for Emperor Ferdinand I and sumptuous armor for the warhorse of an Italian nobleman. During that time, skilled armorers developed ingenious solutions for protecting the body with armor that was effective and often amazingly ornate. How to Read European Armor presents a compelling overview of armor in Europe from the Middle Ages through the seventeenth century, the period when armor as an art form achieved its highest levels of stylistic beauty and functional perfection. In this richly illustrated volume, the beauty and complexity of the actual armor worn by European knights and soldiers comes brilliantly to the fore. Many of us have long been captivated by images of knights in shining armor evoking the age of chivalry and the ideals of Camelot.
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